Produced in conjunction with
Artspace’s “The Public Body”
this performance produced a radical encounter between body, sculpture and plinth. Often considered an inert structure, the plinth was transformed into a volatile wedge that pushed back at the objects it has traditionally supported. The resulting action was a constant negotiation where the body responded to the plinth's new agency and the sculptures in between yielded to the will of these contesting forces.
Photo: Jessica Maurer
Thank you: Jack Tarlinton, Talia Linz and Alexie Glass-Kantor
Photo: Jessica Maurer
Thank you: Jack Tarlinton, Talia Linz and Alexie Glass-Kantor
Produced in conjunction with
Artspace’s “The Public Body”
this performance produced a radical encounter between body, sculpture and plinth. Often considered an inert structure, the plinth was transformed into a volatile wedge that pushed back at the objects it has traditionally supported. The resulting action was a constant negotiation where the body responded to the plinth's new agency and the sculptures in between yielded to the will of these contesting forces.
Photo: Jessica Maurer
Thank you: Jack Tarlinton, Talia Linz and Alexie Glass-Kantor
Photo: Jessica Maurer
Thank you: Jack Tarlinton, Talia Linz and Alexie Glass-Kantor