MARK SHORTER
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The Model (2007-09)
The life model occupies somewhat of a passive role in the drawing class as a muse or an anatomical subject. The location for creativity is relatively fixed within the space of the easel where pencil or paint brush touch paper. In this work I experimented with this pedagogy to allow for a variety of spaces in the class to be sites for creative exchange. These included the body of the model and the class as a whole who's circular windmill-like structure allowed for an array of vignettes to take place.

I'd like to thank the students of The National Art School, Sydney (Lecturer: N. Thurgate); The Victoria College of the Arts, Melbourne (Lecturer: K. Donaldson) and The University of Newcastle, School of Creative Arts (Lecturer: S. Lowry)
Video: J. Carden Photo: G. Gawronski and A. Robalino

.................................................................................

  • To Serenade a Mountain
  • To Train a Fart in the Desert
  • Una Mano
  • 100 Drill
  • The Double-backed Beast
  • Song for von Guérard
  • Waterwalker
  • Hello Stranger
  • Test Excavation
  • Dry Gulch
  • 6m of Plinth
  • Big Pinky
  • Untold Torments Without Reason
  • Mapping La Mancha
  • Acts of Exposure
  • Two Sketches for Antipodysseus
  • Terra Australis 750 BC to 2012 AD
  • The Model
  • The Heat is. . .On!
  • Renny Kodgers Quiz Hour
  • Schleimgurgeln: Arrival

The Model

The Model (2007-09)
The life model occupies somewhat of a passive role in the drawing class as a muse or an anatomical subject. The location for creativity is relatively fixed within the space of the easel where pencil or paint brush touch paper. In this work I experimented with this pedagogy to allow for a variety of spaces in the class to be sites for creative exchange. These included the body of the model and the class as a whole who's circular windmill-like structure allowed for an array of vignettes to take place.

I'd like to thank the students of The National Art School, Sydney (Lecturer: N. Thurgate); The Victoria College of the Arts, Melbourne (Lecturer: K. Donaldson) and The University of Newcastle, School of Creative Arts (Lecturer: S. Lowry)
Video: J. Carden Photo: G. Gawronski and A. Robalino

.................................................................................

  • To Serenade a Mountain
  • To Train a Fart in the Desert
  • Una Mano
  • 100 Drill
  • The Double-backed Beast
  • Song for von Guérard
  • Waterwalker
  • Hello Stranger
  • Test Excavation
  • Dry Gulch
  • 6m of Plinth
  • Big Pinky
  • Untold Torments Without Reason
  • Mapping La Mancha
  • Acts of Exposure
  • Two Sketches for Antipodysseus
  • Terra Australis 750 BC to 2012 AD
  • The Model
  • The Heat is. . .On!
  • Renny Kodgers Quiz Hour
  • Schleimgurgeln: Arrival

All content © Mark Shorter 2025

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