The Model (2007-09)
The life model occupies somewhat of a passive role in the drawing class as a muse or an anatomical subject. The location for creativity is relatively fixed within the space of the easel where pencil or paint brush touch paper. In this work I experimented with this pedagogy to allow for a variety of spaces in the class to be sites for creative exchange. These included the body of the model and the class as a whole who's circular windmill-like structure allowed for an array of vignettes to take place.
I'd like to thank the students of The National Art School, Sydney (Lecturer: N. Thurgate); The Victoria College of the Arts, Melbourne (Lecturer: K. Donaldson) and The University of Newcastle, School of Creative Arts (Lecturer: S. Lowry)
Video: J. Carden Photo: G. Gawronski and A. Robalino
.................................................................................
I'd like to thank the students of The National Art School, Sydney (Lecturer: N. Thurgate); The Victoria College of the Arts, Melbourne (Lecturer: K. Donaldson) and The University of Newcastle, School of Creative Arts (Lecturer: S. Lowry)
Video: J. Carden Photo: G. Gawronski and A. Robalino
.................................................................................
- To Train a Fart in the Desert
- Una Mano
- 100 Drill
- The Double-backed Beast
- Song for von Guérard
- Waterwalker
- Hello Stranger
- Test Excavation
- Dry Gulch
- 6m of Plinth
- Big Pinky
- Untold Torments Without Reason
- Mapping La Mancha
- Acts of Exposure
- Two Sketches for Antipodysseus
- Terra Australis 750 BC to 2012 AD
- The Model
- The Heat is. . .On!
- Renny Kodgers Quiz Hour
- Schleimgurgeln: Arrival
The Model (2007-09)
The life model occupies somewhat of a passive role in the drawing class as a muse or an anatomical subject. The location for creativity is relatively fixed within the space of the easel where pencil or paint brush touch paper. In this work I experimented with this pedagogy to allow for a variety of spaces in the class to be sites for creative exchange. These included the body of the model and the class as a whole who's circular windmill-like structure allowed for an array of vignettes to take place.
I'd like to thank the students of The National Art School, Sydney (Lecturer: N. Thurgate); The Victoria College of the Arts, Melbourne (Lecturer: K. Donaldson) and The University of Newcastle, School of Creative Arts (Lecturer: S. Lowry)
Video: J. Carden Photo: G. Gawronski and A. Robalino
.................................................................................
I'd like to thank the students of The National Art School, Sydney (Lecturer: N. Thurgate); The Victoria College of the Arts, Melbourne (Lecturer: K. Donaldson) and The University of Newcastle, School of Creative Arts (Lecturer: S. Lowry)
Video: J. Carden Photo: G. Gawronski and A. Robalino
.................................................................................
- To Train a Fart in the Desert
- Una Mano
- 100 Drill
- The Double-backed Beast
- Song for von Guérard
- Waterwalker
- Hello Stranger
- Test Excavation
- Dry Gulch
- 6m of Plinth
- Big Pinky
- Untold Torments Without Reason
- Mapping La Mancha
- Acts of Exposure
- Two Sketches for Antipodysseus
- Terra Australis 750 BC to 2012 AD
- The Model
- The Heat is. . .On!
- Renny Kodgers Quiz Hour
- Schleimgurgeln: Arrival